Category Archives: Tarot-related paintings
Hanged Man Head
It’s been a busy week introducing new students to their classes and getting everything in order. We’ve been experimenting with the camera obscura to see what kind of results we can get out of it, finding that having some theatre … Continue reading
Cut!
After a few days of humming and hahing I’ve committed to editing the Traveler and Magician paintings from their earlier square composition. Now rectangles, the compositions look much better balanced, with the focus of attention moving down to the sun … Continue reading
Hanged Man Emerging
I’ve started work on the Hanged Man, painting a first layer of Raw Umber to start defining the figure. I’m particularly happy to see the foreshortening of the figure working well. Pitture infamanti were part of a tradition that was … Continue reading
Empress Edges
Donna Granata visited the studio yesterday to shoot the portrait photos for the Focus on the Masters archive that I mentioned a couple of days ago. I enjoyed her company very much, she’s great fun to chat with. I’m looking … Continue reading
Empress Foliage, While Getting Ready for Donna Granata
The quest for foliage continues, and I’ve been adding dark shadows into the foliage on the right side of the painting, building substance and getting further away from the very decorative leaves that were there before. In the photo you … Continue reading
Hanged Man on the Wall
After a year or so of looking at the the giant mural of the virtues and thinking to myself, “Wow, I should probably do some painting on that…”, I’m officially calling it quits on the thing and painting it over … Continue reading
Shooting the Hanged Man
This was the most nerve-racking but fastest photo shoot I’ve done so far, but I think we laughed more than most of the other shoots too. It was very straightforward in essence, just one model (Aaron again, except he’s lost … Continue reading
Cut! Changing the Empress
I’m letting the Empire painting rest for a little while so I can look at the piece again with a fresh eye in a … Continue reading
Grass is Greener
I’ve been pretty busy in the studio, painting the foreground grass and working on detail on the vines. The foreground vines are much rougher and more textured now, which makes them feel like they’re coming forward. I added some … Continue reading
Cow Parsley and Oilseed
The trees have felt a bit too dark and heavy on the horizon since I glazed them with Olive Green, so I decided to put a coat of white over them to drop them back in a misty veil. In … Continue reading