Category Archives: Other people’s work
Cut!
After a few days of humming and hahing I’ve committed to editing the Traveler and Magician paintings from their earlier square composition. Now rectangles, the compositions look much better balanced, with the focus of attention moving down to the sun … Continue reading
Empress Edges
Donna Granata visited the studio yesterday to shoot the portrait photos for the Focus on the Masters archive that I mentioned a couple of days ago. I enjoyed her company very much, she’s great fun to chat with. I’m looking … Continue reading
Empress Foliage, While Getting Ready for Donna Granata
The quest for foliage continues, and I’ve been adding dark shadows into the foliage on the right side of the painting, building substance and getting further away from the very decorative leaves that were there before. In the photo you … Continue reading
Beneath the Grass
Because the grass will stand in front of the Empress’ legs I’ve decided to paint the skin now, then work on the grass over the top of it. This will be a lot better than trying to paint flesh around … Continue reading
Release
Freedom from the bondage of these vines is within reach. Although I didn’t get as far along as I would have liked, I’ve made good progress with the morning glory, with a single day’s work ahead before this layer is … Continue reading
Legs
It’s worrying, changing a hand in a painting, but the shaman really needed a new left hand (her left, our right) so I asked my student Ashley to model for me and shot new reference pictures for it, then re-rendered … Continue reading
Glory
The morning glory has spread to cover much of the calf of the Emperor’s right leg, but I want to show more of it reaching up to pass his left foot, perhaps even stretching out tendrils toward his abdomen and … Continue reading
Shorts
 The Emperor is beginning to get increasingly convincing now that his shorts are becoming more substantial, although I’d like to add a second working of the Raw Umber to the painting I did today to make the value more … Continue reading
High Chair
I covered a lot of canvas today by working fast and deliberately choosing to make broad compositional strokes rather than finessed detailed gestures. The chair is looking appropriately wobbly and now the composition is beginning to make sense. I like … Continue reading
Bouguereau and Photoshop
I want to look at a caveat from the great master painter William Bouguereau, who I regard with awe: “I detest realism” he told us, “for it is nothing but photography, neither more nor less! Well, if you are a … Continue reading