Category Archives: Green men

Vines around the back

I like to make little games for myself when I’m working on repetitive forms like these morning glory leaves – today I decided to stop working on the right hand side of the painting so that I could set myself … Continue reading

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Hand to Vine

The vines wrapping around the Emperor’s legs have become much more substantial, reaching all the way up to his knees and down to the a point just above the horizon. I started working on the leaves that are emerging from the shaman’s mouth, … Continue reading

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Green Woman Vines

After a week of scattered attention in the studio it was really great to have a full day of time to dedicate to painting. The foundation layer of the vines has progressed much further, including an exciting passage of work … Continue reading

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Vines Wrap Leg

I’m thoroughly enjoying painting these vines, which are more realistic than my earlier more decorative flowers in the Empress painting. I’ve used my reference pictures from the back garden a little, but I’m getting great pleasure out of inventing passages … Continue reading

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Wrapped in Morning Glory

Because I wanted to figure out how much work was necessary to complete the Emperor’s legs I decided to start painting the morning glory vines as they wrap up the legs of the chair and around his feet. I took … Continue reading

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Green Woman

The Emperor is completely painted in Raw Umber, but I’m not entirely satisfied with his feet, which are not as dynamic as I’d like. However, I expect vines to wrap around them, so it may not be necessary to get … Continue reading

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Shorts

  The Emperor is beginning to get increasingly convincing now that his shorts are becoming more substantial, although I’d like to add a second working of the Raw Umber to the painting I did today to make the value more … Continue reading

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High Chair

I covered a lot of canvas today by working fast and deliberately choosing to make broad compositional strokes rather than finessed detailed gestures. The chair is looking appropriately wobbly and now the composition is beginning to make sense. I like … Continue reading

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Faster!

I’m really feeling the pressure of time upon me these days, so I want to work with speed and accuracy without sacrificing quality. Consequently the work is getting looser and more brush-strokes are visible, at least at this stage, although … Continue reading

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The Emperor Begins

Following shooting photos of Amy for the figure sitting on the ground I sketched the drawing onto the canvas using a simple one foot grid as a guide. I like this composition very much for a couple of curious reasons: … Continue reading

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