Category Archives: Folklore
Vines around the back
I like to make little games for myself when I’m working on repetitive forms like these morning glory leaves – today I decided to stop working on the right hand side of the painting so that I could set myself … Continue reading
Leaf Alone
Now the basic white layer of the leaves is done it’s time to render the leaves and flowers in my customary brown. This is satisfying work that’s going to be a big feature of the finished painting – imagine that … Continue reading
Hand to Vine
The vines wrapping around the Emperor’s legs have become much more substantial, reaching all the way up to his knees and down to the a point just above the horizon. I started working on the leaves that are emerging from the shaman’s mouth, … Continue reading
Green Woman Vines
After a week of scattered attention in the studio it was really great to have a full day of time to dedicate to painting. The foundation layer of the vines has progressed much further, including an exciting passage of work … Continue reading
Vines Wrap Leg
I’m thoroughly enjoying painting these vines, which are more realistic than my earlier more decorative flowers in the Empress painting. I’ve used my reference pictures from the back garden a little, but I’m getting great pleasure out of inventing passages … Continue reading
Wrapped in Morning Glory
Because I wanted to figure out how much work was necessary to complete the Emperor’s legs I decided to start painting the morning glory vines as they wrap up the legs of the chair and around his feet. I took … Continue reading
Green Woman
The Emperor is completely painted in Raw Umber, but I’m not entirely satisfied with his feet, which are not as dynamic as I’d like. However, I expect vines to wrap around them, so it may not be necessary to get … Continue reading
Shorts
 The Emperor is beginning to get increasingly convincing now that his shorts are becoming more substantial, although I’d like to add a second working of the Raw Umber to the painting I did today to make the value more … Continue reading
High Chair
I covered a lot of canvas today by working fast and deliberately choosing to make broad compositional strokes rather than finessed detailed gestures. The chair is looking appropriately wobbly and now the composition is beginning to make sense. I like … Continue reading
Faster!
I’m really feeling the pressure of time upon me these days, so I want to work with speed and accuracy without sacrificing quality. Consequently the work is getting looser and more brush-strokes are visible, at least at this stage, although … Continue reading