Category Archives: Alchemical paintings
The orb
The orb is growing.It looks really bright and white at the moment, but it’s about to get it’s blue layer which will drop it right back again. I’m going to try a golden center around the flame, then blue over … Continue reading
Darkness and Light
Now working on the light is beginning to really pay off. A black glaze over the background ragged off at the boundaries of a circle about the glowing orb has made the composition start to take more dramatic shape. The … Continue reading
Hairs Temperance
I enjoyed getting the Raw Sienna into the hair, using some Prussian Blue to counter the yellowness of the pigment. I ragged some of that blue onto the wings while I was at it, and I beginning to see how … Continue reading
So Cal
I drove back to Thousand Oaks today, an eight hour journey that felt like fifteen. I arrived here at about nine pm, deciding like a lunatic to get into the studio and paint once I got to unload, which I … Continue reading
Defining Amelia
I’ve been thinking and writing about the role of feminine characters in my paintings as I prepare a paper for the Alchemy Journal. Amelia is the most dominant of the women at present, having appeared in an earlier incarnation in … Continue reading
Head
I added a pool of blood to the ground around the head. Right now it’s too bright, and will need to get a layer to moderate the intensity of colour.
Headless
The sword is coming along, based on a fabulous samurai sword loaned to me by our lovely costume designer, Lolita Ball, who is simply delightful. The alchemical Queen Amelia looks dramatic and intentional now, having acted to behead the king, … Continue reading
Live by the Sword (and hair)
I have been thinking ahead wondering what comes next in the painting. If Amelia is the elemental representative of the purified air, coming to the earth to be combined with it in the alchemical conjunction, then she will need to … Continue reading
Feet
I re-rendered Amelia’s feet because they were so completely off. This is much better, they’re feet that someone could actually stand on now. I separated the legs a touch, too, and added some white to the ground around the new … Continue reading
Temperance chastens
Another layer of zinc white over the shadow work in the wings, Â dropping the dark areas back into the white and giving a softer quality to the surface of the feathers. I put the stream of water between the bottles … Continue reading