Category Archives: Making work

Alchemical Colours and the Dirt

Fifteenth century alchemical process followed a sequence of colour changes as the work progressed. Black (nigredo), White (albedo), Yellow (citrinitis) and Red (rubedo). Now coloured, the flags in the landscape indicate that this is an alchemical image, with a blue … Continue reading

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Lights on the Mud

Adding a little Lead White to the patches of mud prepares them for another layer that will make the surface feel more solid. The little pebbles that I did first have all taken a glaze of Raw Sienna that makes … Continue reading

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The World is Mud-luscious

Working with paint in a loose and spontaneous way has resulted in this Raw Umber layer that will provide the structure for the mud surface of the land around the pool. It all looks a little dark now, but the … Continue reading

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Depth

I’ve posted two almost identical pictures today to show the difference a bit of subtle work makes to a painting – the first picture is the end result of this afternoon’s work, the second you already saw on Saturday evening. … Continue reading

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Landscape Flag Cross

At last I got a full day in the studio, getting a lot of painting done. It was so exciting to be able to develop ideas as the day passed, imagining new steps to take to drive the painting forward. … Continue reading

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Red Pool Rising

Turning the painting upside down was really great because it made it so much easier to paint the sky, which now is turning into a substantial and striking feature. I’ve flipped the photo to make it easier to see the … Continue reading

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Flipped for a Sunset Sky

I’ve finished painting the legs with the exception of the shoes, which I will do later. I’ve limited myself to simpler tasks today because I’m just too tired to do the more detailed work. It’s been a productive but mostly … Continue reading

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Armed

The Magician increasingly gains solidity as the Raw Umber rendering materializes over the roughly sketched outline and white base painting. The sketched wand will take a decorative spiral twisting around the handle, while adding detail elsewhere will make different features … Continue reading

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Getting Ahead

The Magician has a face. Strong featured, with high cheekbones and a strong mouth, she’s full of character. This has been very enjoyable, even exciting at times. I love painting faces, shifting the balance of expression by making very small … Continue reading

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Half a Pair of Legs

Now the Magician has a leg to stand on she’s beginning to seem more substantial. I still enjoying working on the stripes, building depth out of making slender lines toward the edges of the legs, and relishing the rippling when … Continue reading

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