J. B. Yeats

I’m reading a biography of William Butler Yeats, the visionary poet who lived in the late nineteenth and early twentieth centuries. His father (J.B. Yeats) had a powerful influence upon him and lived a skeptical life. I enjoyed this paragraph not because I fully agree with the sentiment, but because it expresses the difficulty of balancing creative life with religion.

“There are two kinds of belief; the poetical and the religious. That of the poet comes when the man within has found some method or manner of thinking or arrangement of fact (such as is only possibly in dreams) by which to express and embody an absolute freedom, such that his whole inner and outer-self can expand in full satisfaction. In religious belief there is absent the consciousness of liberty. Religion is the denial of liberty. An enforced peace is set up among the warring feelings. By the help of something quite external, as for instance the fear of hell, some feelings are chained up and thrust into dungeons that some other feelings may hold sway, and all the ethical systems yet invented are a similar denial of liberty, that is why the true poet is neither moral nor religious.”

Richard Ellman,1948, Yeats – The Man and the Masks, Dutton, 20.

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Pythagoras and Duality

I thought a bit of clarity on duality might be helpful, so I revisited my copy of The Pythagorean Sourcebook and Library, compiled and translated by Guthrie, who clarifies the nature of duality in Pythagorean terms in his introduction.

“If one represents the principle of Unity from which all things arise, then Two, the Dyad, represents duality, the beginning of multiplicity, the beginning of strife, yet also the possibility of logos, the relation of one thing to another… With the Dyad arises the duality of subject and object, the knower and the known. With the advent of the Triad however, the gulf of dualism is bridged, for it is through the third term that a relation or harmonia (joining together) is obtained between the two extremes. While Two represents the first possibility of logos, the relationship between one thing and another, the Triad achieves that relation in actuality.”

Guthrie, 1988, The Pythagorean Sourcebook and Library, Phanes, 21-22. 

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Temperance xiii

Here’s a more developed sketch incorporating one of the pictures I shot Friday. I’m going to need to visit a pig farm to get my own shots, but these sketchy pigs will have to do for now. It’s going somewhere I like right now.

I’m still feeling my way to the shape of the wings at the moment and I’ll need a resource for them too pretty soon, although I don’t expect them to be too hard to find – I have so many photos of birds from visiting a sanctuary in England with my family in the fall of last year that I think I can manage to find some swans flapping amongst them and use them to figure out the shape. It worked out well with Daedalus.

 

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Temperance xii

Here’s another sketch of Temperance, trying to figure out a more stylized composition and imagery. The funky fat shapes at the bottom are very loosely drawn pigs.

I’ve included a vesica about her to emphasize the duality of all these images, although it’s mostly concealed by the triumphant wings. I find duality a consistent pre-occupation these days – if good and evil exist, they must have come from God. If so, God contains both forces. I’ve also included a crescent above her for the moon, and this time she’s standing upon a sun.

Virtue can’t exist without its opposite to reveal it, nor can wickedness exist without goodness to expose it.

Furthermore, it’s hard to find a perfect goodness or a perfect evil without a grain of its opposite emerging from it. A duality is not conceivable, but with the relationship between the two sides of any opposing couplet comprising the third part of the group, a trinity balances the two. Within any duality there exists a relationship between the two opposite things. So, keep an eye open for the deadly sins and the emergence of the virtues from them in these paintings, ultimately they’re all expressing the necessary trinity of dualities.

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Botticelli

Knocking about the internet looking for Renaissance images of the cardinal virtues didn’t get me any closer to solving the mystery the missing Prudence, who will remain lost for now, but on one of my many meanderings from the object of my search I was reminded of the pure delight that it to be found in the works of Sandro Botticelli. He was a wonderful painter. I found a beautiful new book on Amazon that I have ordered for myself (I always check out the used copies first to see if anyone has a better deal) because it looks as though it might be one of the best large format books on him out there. 


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Marseilles virtues

We find the virtue Prudence is missing from the Marseilles deck of cards too. I love the simple woodcut designs of this deck. Many cards in this deck are clearly influenced by the symbolism of alchemical illustrations.

Temperance, Strength, Justice.

Prudence is often seen as a woman holding or stepping on a snake while looking into a mirror. I guess you could make a case for her in the card deck as the priestess, with book in hand, but this doesn’t seem to be as common an image as the snake and mirror combo. I’ll have to dig deeper into this to understand what’s up.

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Visconti Sforza cardinal virtues

The three images here come from a deck of cards produced for the Visconti Sforza family in the mid-fifteenth century. From left to right: Justice, Temperance and Strength. The Marseillle deck shows the same three, which makes me wonder why Prudence was not in the deck as well. If these are the cardinal virtues inspired by Plato, they are well documented as a group of four – so where’s dear Prudence?

 

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Temperance xi

Caitlyn is a fantastic model for this painting, I’m so pleased with the way the pictures turned out. I shot her as Temperance for the symbolic card with the two water vessels, and again for the big painting of all seven virtues. She was wonderful in both.

I can start painting on Monday! I’m also shooting pictures for Justice then, this time with my pre-Raphaelite student. Looking forward to that, too. I want to get some wood for the smaller grace paintings, with the six foot panel I gessoed reserved for the group of all seven women together.

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For the record

Arts Positions of the 2008 Presidential Candidates
 

Sen. Barack Obama
Democratic Nominee

Sen. John McCain
Republican Nominee

Campaign has met with Americans for the Arts Action Fund to discuss policy issues.

 Yes
Meeting held 4/1/08

Yes
Meeting held 4/1/08

Campaign has published policy proposals on the arts and/or arts education.

Yes
Read policy proposal 2/28/08

No

Candidate has made statement on federal support of the arts.

Yes
View Pennsylvania speech on 4/2/08

No

Candidate has made statement on federal support of arts education.

Yes
View Texas speech on 2/28/08

Yes
Read Statement 10/03/08

National party platform includes statement on the arts and/or arts education.

Yes
Read platform 
statement on page 49

No

Candidate has pro-arts Congressional record.

Yes
Co-sponsored S. 548, Artist-Museum Partnership Act, 2/25/08

No
Voted to cut funding or terminate the National Endowment for the Arts (see listing of votes*)

 

*Roll call votes on 7/12/00, 8/5/99, 9/15/98, 9/18/97, 9/17/97, 7/25/94, 9/15/93, 9/15/93, and 9/14/93.
Source:  Americans for the Arts Action Fund, as of 10/03/08

 

Americans for the Arts Action Fund is the bipartisan advocacy arm of Americans for the Arts, engaging citizens in ensuring that all Americans have the opportunity to appreciate, value, and participate in the arts. Arts Action Fund members are citizen activists who are committed to helping make certain that arts-friendly public policies are adopted at every level of government and in the private sector. ArtsVote2008, a program of the Arts Action Fund, was created to secure bold, new policy proposals in support of the arts and arts education in America from candidates in the 2008 presidential campaign.

For more info visit www.artsvote.org, or call 202-371-2830

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Temperance viii

My friend who was going to drive us to Vegas in his Suburban with paintings and easels in a trailer has found a job that will occupy him over the weekend of the Alchemy conference, so I have to find a truck. I’m looking forward to the event very much, especially having the opportunity to learn from other students of alchemy. 

I spoke to Caitlyn on the phone, so everything is in motion. She’ll be her at one thirty ready to shoot, so everything is set for the afternoon. I want to eat something and clear my head before we start, so I’m going to the local Mexican restaurant to pick up my favorite charbroiled fish tacos. I have the coat, wings and goggles.

Seems to be the day for shooting pictures. Terry Spehar Fahey wants to paint me so she’s going to shoot photos later today. It’s a funny feeling to be the subject of someone else’s work. She’s a fabulous painter, so I’m curious to see what she does with me as subject.

 

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