Monthly Archives: March 2012
Three girls in the courtyard
The grey work continues to expand across the canvas – it’s beginning to feel like a proper painting now. I’m having a great time working on the piece, which is the most reminiscent of a pre-raphaelite composition that I’ve done … Continue reading
Three Girls
The grisaille work is moving along quickly, with the three major figures already painted in the first layer of the grisaille. I want to get more of the bodies complete, then I’ll make a second pass at all three, fixing all … Continue reading
Drawing the Circle
It was so satisfying to get to work on drawing the girls in the new painting. We’ve been very focused on preparing the conference, including a trip to San Francisco to visit Sadie Valerie and the wonderful exhibit at the … Continue reading
Architecture for the Priestess
I’m thoroughly enjoying myself in the studio working out the architecture of the new painting, making shapes for a courtyard beside the ocean somewhere on the coast of California. I want to create a setting for two girls to look … Continue reading
I’ve used the Carbazole Violet to deepen the shadows of the face, then popped in a bit of Raw Umber to emphasize the darks. The beard got a treatment of whites and Raw Umber to make it feel more bristly, … Continue reading
Purple, orange and green
If you had asked me ten years ago what colours I would use most in 2012 there is no way I would have predicted that Cadmium Orange, Viridian, Lead White, Carbazole Violet and Raw Umber would have begun to make … Continue reading
Bouguereau
Monday I had a unique opportunity to spend a couple of very pleasant hours up close to the Bouguereau at the Weisman gallery in Malibu, thanks to Michael Zakian, the curator and art historian at Pepperdine University. Alexey Steele, Tony … Continue reading
Grass
Although I have to say that creating grass is the most boring thing in the world, I guess the patience that it requires pays off in the end and I like the way this is going. Doing this repetitive painting … Continue reading
Grassy landscape growing
I’ve continued build up the shapes of the deeper layers of the grass using dark greens and browns, mostly in the same colours that I needed for the moss. It’s all quite general, making loose gestures toward the direction and … Continue reading