She’s wearing her aviator goggles now, and a triangular necklace. I added much more definition into the face and flying helmet and knifed a layer of flesh tones onto the man, who is taking his proper place in the background. The straps on the helmet are a little overly hard edged, so I’ll soften them when I have a chance, there’s also one strap and a button missing, (trinity) because I took this picture when I wasn’t finished. (It will be in the next post.)
I’m really not happy with her nose.
At this stage in a painting I’ll often re-define outlines and shadows to give the figure more solidity, but these harder edges will get back into the paint with a little work, softening them and making them less dominant. Right now the necklace is standing away from the surface of the skin, it hasn’t a shadow to set it down, but I can’t put it in until my surfaces are dry without risking damage to the triangular pendant.
I’m still avoiding painting the falling figure, aren’t I.Â
Yes, the falling figure has particular interest to me since I have seen his ghostly image for such a long time now. I’m watching you Doctor…