Category Archives: Pre-raphaelite

Lady in Red

It was a dramatic day of change for the Queen painting in the studio today as I added Red Ochre to the dress. I left the grey version of the dress alone to dry for a couple of days to … Continue reading

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Wrapping up the Greyscale Drapery

Because I didn’t like the balance of the composition as it stood I’ve added more fabric to the left side of the dress, making it extend under the Queen’s hand and off the edge of the panel, creating a more … Continue reading

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Fabrication

Now there’s colour in the window the composition is starting to make sense, with the figure framed within the blue sky. I like the depth that’s beginning to emerge, but of course the sky and sea will need glazing to … Continue reading

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The Wall and the Queen’s Dress

Painting the clothing in grey is satisfying, although I’m not satisfied with the skirt, which looks too tight and uncomfortable in my drawing. I borrowed some fabric from the theatre next to my studio and will get my daughter to … Continue reading

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Dressing the Queen of Cups

I’ve taken a morning figuring out the values of the face and neck, using a Foundation White as a local wet white ground, then White and a flesh mixture of Cadmium Orange and Viridian to generate the darker areas. Although … Continue reading

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Green Man

The Green Man is finished following a morning of detailing ivy and adding Pre-Raphaelite Rosetti’s purple to the shadows and hair. I added some highlights to the veins of the ivy leaves, then lightened up the shadows of the ivy on the shirt with … Continue reading

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Man Goes Green

The green man finally got some of his proper colour, making him look quite different. A layer of Olive green over the background has made it drop back considerably with a vaguely leafy feel, while the ivy emerging from his … Continue reading

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Chin Skin and Weird Beard

I’ve continued with the flesh in the same way that I was working yesterday, building glazes and finding subtle transitions of colour and value. I’ve re-established the hair using Van Dyke Brown, a warm brown pigment made from a black … Continue reading

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Joe – a Second Layer

After having completed the wet white layer and allowing it to dry thoroughly I re-rendered the features of the face in a Raw Umber, this time without using any white at all. In this layer I’m only interested in capturing … Continue reading

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Doing it Rossetti’s way

Based on what I saw in Birmingham (see this earlier post) I’m using a variation on Rossetti’s version of the famous Pre-Raphaelite wet white technique to create a study of Joe’s head as the first of a group of paintings … Continue reading

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