Category Archives: Emperor

Eagle Tattoo

Once again I’ve been very busy working on the October project, figuring out administrative stuff. It’s going to be worth it when it’s all ready to go though. In the studio I’ve been busy with Prussian Blue, which is great … Continue reading

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Grass is Greener

  I’ve been pretty busy in the studio, painting the foreground grass and working on detail on the vines. The foreground vines are much rougher and more textured now, which makes them feel like they’re coming forward. I added some … Continue reading

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Cow Parsley and Oilseed

The trees have felt a bit too dark and heavy on the horizon since I glazed them with Olive Green, so I decided to put a coat of white over them to drop them back in a misty veil. In … Continue reading

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Carnegie

The Emperor painting has taken a giant leap forward, with an entirely new foreground landscape beginning to develop around the Empress. I’ve enjoyed painting the underlying dark areas that will lie beneath a range of grass that will be the … Continue reading

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Leaving the Foliage

The leaves have been treated to Sap Green mixed with Iron Oxide Red, and some strokes of Grey-Green to add variety, then the shadows deepened with a touch of Raw Umber. The buds have been painted with a little Cadmiium … Continue reading

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Green on Vine

The colour spreads further down the canvas, reaching the horizon line today. I need to work in areas because I want the highlights to blend with the darker greens in this stage, so I’ll move further down the painting later. … Continue reading

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Golden Sun, Silver Moon

                          It’s so good to start adding layers of colour into the painting after this long period of working in browns as the plants and bodies take shape. … Continue reading

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Hands and Face

I like adding bright colour into the features of the face once it’s pretty much done, usually blues in the darkest shadows and reds into the mouth, eyes and the bottom of the nose. I’ve also put a bit into … Continue reading

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Face it, Emperor

I’ve been working on adding more colour to the Emperor’s face and body, building up a layer of warmth, using a Burnt Sienna to make shadows richer, then blending to the edges of the hair with Raw Umber. For flesh … Continue reading

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Legs get Colour

I put a layer of paint over the legs, working wet white to build a first coat of flesh. It was challenging to keep the feeling of continuity in the changes of colour in the paint while dealing with regularly … Continue reading

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