The grisaille work is moving along quickly, with the three major figures already painted in the first layer of the grisaille. I want to get more of the bodies complete, then I’ll make a second pass at all three, fixing all the bits that aren’t the way I like them.
I’m thoroughly enjoying painting them, the work is moving fast and pleasantly. I particularly enjoyed the greys and whites that are beginning to shape the structure of the third girl’s dress. She’s sitting in a doorway to the left of the twins, wishing she could participate in their secretive reading of the book between them.
I’ve moved the height of the wall behind the twins up so that their faces will be surrounded by one area of colour in the finished piece, pulling focus to them. I’m planning the colour palette more carefully than usual, taking my inspiration from Waterhouse’s lovely Pre-Raphaelite paintings and Stanhope’s fabulous canvas “Love and the Maiden” at the Cult of Beauty exhibit at the Legion of Honour.