Monthly Archives: January 2012
Just Hanging Around
Adding highlights in Foundation White to the flesh that went down yesterday is making the figure start to come to life. I’ve extended the flesh across his belly and all the way down the lower arm. I’ll need to move … Continue reading
Skin
The first layer of the skin has covered the Hanged Man’s head and chest. I mixed a simple flesh base using Vermilion, Cadmium Orange and Foundation White, then made a dark and light version of it by adding more or … Continue reading
Falling from an Orange Sky
I’ve spent a few hours working the sky above the mountains to create a bright horizon that fades upward into a darker sky. The top right corner of the painting is going to increase in brightness as I make my … Continue reading
I’m having a great time painting the landscape behind the hanged man, which has populated itself with buildings and trees, and mountains that resemble the ones I see around me here at the edge of the Malibu range. I love … Continue reading
Hanged Man Head
It’s been a busy week introducing new students to their classes and getting everything in order. We’ve been experimenting with the camera obscura to see what kind of results we can get out of it, finding that having some theatre … Continue reading
LA Art Fair panel – Realism Today
Peter Trippi posed some excellent questions to the panel that provoked some good discussion. Still on my mind: In the movie “Michael Collins” the leader of the revolutionaries says to the eponymous hero, “If we are to create the Republic, … Continue reading
Cut!
After a few days of humming and hahing I’ve committed to editing the Traveler and Magician paintings from their earlier square composition. Now rectangles, the compositions look much better balanced, with the focus of attention moving down to the sun … Continue reading
Hanged Man Emerging
I’ve started work on the Hanged Man, painting a first layer of Raw Umber to start defining the figure. I’m particularly happy to see the foreshortening of the figure working well. Pitture infamanti were part of a tradition that was … Continue reading
Empress Edges
Donna Granata visited the studio yesterday to shoot the portrait photos for the Focus on the Masters archive that I mentioned a couple of days ago. I enjoyed her company very much, she’s great fun to chat with. I’m looking … Continue reading
Empress Foliage, While Getting Ready for Donna Granata
The quest for foliage continues, and I’ve been adding dark shadows into the foliage on the right side of the painting, building substance and getting further away from the very decorative leaves that were there before. In the photo you … Continue reading